Colour theory and colour harmony is used in all design disciplines. Available for Windows, macOS and iPad, the super-smooth, feature-packed app is the choice of thousands of professional illustrators, web designers, game developers and other creatives looking to create high-quality concept art, print projects, logos, icons, UI designs, mock-ups and more. And I can't think of any arguments why it can't be used in Publisher and Photo. With enhanced drawing and animation features - including brand new Flash animation support, DrawPlus X2 has everything you need to create eye-catching, professional-standard designs and artwork.
The colours are such a critical part of a design, to say the least, so I think this part really belongs in Designer itself. DrawPlus X2 is Serif's outstanding, Vista certified drawing, graphics and animation superstar. There are a lot of services on the web - but it's not always easy to pull out your palettes. Maybe the market has solved the problem since DrawPlus, which had a user interface for this 10 years ago. In other words, I can't use the hack Serif threw into Affinity in 2015. And it is not a mechanical discipline where the program can simply calculate a palette directly from a colour, you have to use your head and adapt it all to your product. It has been used since the 18th century in art and design, so why not also a feature in Affinity with a user interface. Yes, when you are experienced and skilled enough to apply colour theory and, for example, the 60-30-10 rule, you miss a useful and flexible implementation in Affinity. "Continuation" of customer request from 2019
0 kommentar(er)
